2009:1

Erik Andersson's novel takes the reader on an odyssey through the province of Västergötland, aptly compared by one character to the Iowa corn belt in the United States.

Carina Burman’s witty and thoroughly researched pastiche on Victorian detective stories.

Bo Carpelan's impressionistic description of the life of a small boy from infancy to 13 years of age in 1930s Finland.

The second volume in Tim Davys’s planned quartet.

Together with Mankell and Nesser, Åke Edwardson represents the best in modern Swedish crime fiction.

When is an autobiography a novel? The question is relevant because Enquist’s book won the 2008 August Prize – in the fiction category.

Torbjörn Flygt’s novel inspires admiration for his competence and expertise in handling a complicated narrative.

Contrary to the conventional police drama, Jan Guillou's novel raises more questions than it answers, not only about the guilt or otherwise of those eventually convicted, but also about the destruction of aspects of democracy by the very processes that are supposed to protect it.

Theodor Kallifatides has given us an affectionate portrait of people who are not afraid of opening their hearts. It is a rare and tender novel.

Sven Olov Karlsson's chronicle of rural Sweden.

Ellen Matsson's inheritance story is part psychological drama, part minutely-observed social history, part poetry.

The protagonist of Malte Persson's historical novel, like a more solemn and scientifically-inclined Mrs. Dalloway, is surrounded by interesting individuals with stories of their own.

Per Wästberg’s biographical novel of one of Carl Linné’s most inscrutable apostles.

Robert Åsbacka's novel on the search for art in everyday life, with characters who are ordinary people appreciative of Beckett’s plays and Baroque organ music.