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2013:1

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Issue number: 2013:1

2013:1

Fiction from Lotta Lundberg and Fredrik Lindström, poetry from Ingela Strandberg, and cultural commentary from Nina Björk

Editor: Sarah Death
Reviews Editor: Anna Paterson

(Image: Camping. Credit: Helena Wahlman /imagebank.sweden.se)

The lively cover picture, ‘Camping Tent’ by Helena Wahlman, sets the tone for three of our translated extracts. They all deal in one way or other with people travelling from one culture to another, be they Europeans relocating to distant countries or other nationalities coming to work in Sweden. Lotta Lundberg’s The Island is based on true events on Pitcairn Island in 2004, highlighting tensions between Polynesian tradition and British values. Gunnar Ardelius’s The Love of Liberty Brought Us Here, set in Liberia in the 1960s, gives a postcolonial view of what it meant for Swedes to live and work in Africa.

Fredrik Lindström’s tongue-in-cheek story of the Polish builders employed in Swedish suburbia is told from the jaundiced viewpoint of their hosts: ‘Since we had progressed so far in Sweden, we worked on more advanced things: the media, web solutions, communications, advertising and so on; and as a result we could hire in others to do the harder manual jobs, others who were a couple of steps below us on the ladder.’

These various culture clashes shed light not only on other ways of life but also on the Swedish – and wider European – psyche, and what truly constitutes success, while our non-fiction piece, from Nina Björk’s Happily Ever After, turns the spotlight on western consumer society as a whole, which professes to value equality while surrounding itself with fairytales of success.

The success enjoyed by Swedish crime fiction can scarcely have escaped anyone’s notice, and our article on bestselling children’s writer Martin Widmark turns to the equally buoyant junior variety of the genre. We preview the convergence of Swedish children’s publishers, writers and illustrators on the Bologna Book Fair this spring, where their country is guest of honour. 

Poetry features in this issue in two different guises. Hjalmar Gullberg  (1898-1961) wrote his poem Död amazon, one of the best-known and most haunting Swedish literary texts of the Second World War, in memory of fellow-poet Karin Boye. Ingela Strandberg is a poet of our own days, and her new anthology draws on dogs, dog stars, starships, human hearts and the natural world to weave its tale. We sample it in the printed version of SBR, and the full English translation appears here on the website.

Bookshelf looks at crossovers: fact and fiction, ‘true crime’ and crime fiction. As our reviews editor writes, we are keen to support what Swedish publishers are keen to sell, but with our own twist.

Translations

Reviews

Edited and curated by Anna Paterson

Fiction

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REVIEW

Springfloden

The Börjlinds’ huge experience as scriptwriters – 25-odd Sjöwall & Wahlöö film and TV series, goodness knows how many Arne Dahl and Henning Mankell ones, and a large number of their own contributions – tells at every turn and twist.

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REVIEW

Fallvatten

The idea of a Swedish disaster story is interesting in itself. The Hollywood output of scare stories is mind-numbing, but something about setting this story in rural Sweden makes it more unsettling than the most imaginative zombie invasion; we expect the Swedish countryside to be safe and uneventful.

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REVIEW

En rasande eld

It makes sense to review these two political thrillers together: both reflect the professional preoccupations of the writers as well as their strongly held and strikingly similar political views, both explore sympathetically the Islamic/Islamist anger that interacts with what is arguably an unlawful Western overreaction, and both are very well informed.

Non-fiction

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REVIEW

Fallet Thomas Quick – Att skapa en seriemördarare

This is not some lurid tale of a serial killer, but an examination of what happens when complex social structures such as the legal system or healthcare fall prey to enthusiastic or misguided professionals. This book bites back at the therapists, police and lawyers who for some reason viewed this patient – Sture Bergwall, also known as Thomas Quick – as a professional battleground.