Reviews

In Nina Hemmingsson’s Room Without Title, we follow a woman who is trying to untangle an age-old conundrum: how did she end up in a bad relationship, and why can’t she leave?

Ulla-Lena Lundberg and Negar Naseh: two women writers from different generations and cultural backgrounds, with voices as distinctive as the settings of their narratives. Their novels Light and Flame and A Handful of Wind offer spell-binding insights into the landscapes of their minds.

Tuva Korsström’s latest work is an autobiographical essay that expands into a double biography of her parents.

In Jonas Gren's The Chromosome Park, Ella navigates genetic illness and loss in a world where reflective cloth covers the ground in an attempt to reflect the sun's warmth back into space, and a thousand small, organic volcanoes are utilised to build a protective layer to shield Earth.

A farm in western Finland is passed down through four hundred years of the same family. Inherited Land explores family bonds and traditions, as well as individual personalities and experiences, of generations of the extended Nevabacka family.

Hackers, oil, murders and a crime-writer-turned-investigator all meet in The Writing in the Water, a suspense novel by horror-writer-turned-crime-writer John Ajvide Lindqvist.

An in-depth and readable analysis of Russia and its leadership in the post-Soviet era, The Fallen Empire looks at the developments, events and rhetorical manoeuvres that led the country where it is today.

A band of orphans fights for survival – and against each other – in The Bear Hunter’s Daughters, Anneli Jordahl’s feminist retelling of Aleksis Kivi’s Seven Brothers. While the sisters prove that women can do everything men can do, do they really want to?

You Are Not My Mother and If You Meet a Bear, two new picture books illustrated by Linda Bondestam, have very different narratives and styles, but both reveal an artist at the height of her powers.

Punishment depicts life in a harsh 1950s boarding school for the children of Sámi reindeer herders, and how those children grapple with their trauma thirty years on.

A moving new graphic memoir about tracing a family lost through the Holocaust, Remember Us To Life grapples not only with the war itself, but also its impact on younger generations and contemporary perspectives on minorities and outsiderness.

Johannes Anyuru is a master of portraying contemporary Western European city life with poetic tenderness. With his latest novel, he takes us to a working-class immigrant neighbourhood in Antwerp, where a mother grapples with the dissolving boundaries of the life she has created for her son.

Ulla-Lena Lundberg and Negar Naseh: two women writers from different generations and cultural backgrounds, with voices as distinctive as the settings of their narratives. Their novels Light and Flame and A Handful of Wind offer spell-binding insights into the landscapes of their minds.

Dream Baby Dream by Jenny Tunedal is a tour de force attempt to come to grips with the overwhelming oppression of grief, and it has been lauded by critics across the board in Sweden.

A diverse collection of essays and other texts by the former permanent secretary of the Swedish Academy, Sara Danius, The Silk Cathedral and Other Texts delves into everything from photography to Svetlana Alexievich to Flaubert, always with a keen eye on style.

Yani is a coming of age novel dealing with friendship, love, grief, belonging and what to do when your best friend is threatened with deportation.

Åke Smedberg, one of Sweden’s best-loved contemporary writers, presents a very Swedish genre: nature lyricism running like a red thread through a narrative, illuminated by bittersweet reminiscence.

Manda and her best friend Malin are inseparable. In We'll just ride past, it's them against their small-town world... or not so much ‘against’ but outside it, cycling round the periphery of anything thrilling, as the end of the school year looms and with it the end of their compulsory education.