Reviews

Palm concentrates on an area he knows very well: the work of a pathologist specialising in crime victims.

This is a novel about gender. It is about coming to terms with the fact that in our society you are sorted into the ‘not powerful’ category of people if you happen to have a female body.

The final book in Jens Lapidus’s gangster crime trilogy.

Göran Persson could see no reason for Sweden to be ashamed of anything it did during the war. Klas Åmark’s book is in every way a contribution to greater knowledge and vigorous debate. Those who want a powerful argument in favour of reading this work should consider this brief, simple motive: to find out how right Persson was and, later, how wrong.

Claes de Faire is a journalist turned novelist.

New works by and about the poet and the art of translation.

Grips you by the throat, a great novel that tells you something about la condition humaine – and also a very Swedish one, with links to writers like Vilhelm Moberg and Harry Martinson.

The third book in Kristina Ohlsson’s series of crime novels centred on a police team in Stockholm.

Gedin cares for his subject, but is not restrained: Larsson is shown to be a greater artist and a less consistently agreeable man than his reputation might suggest.

For anyone with a passing interest in the poetry of twentieth-century Europe, this volume is a must-have addition to their collection and with it we are allowed a clear glimpse of Tranströmer looking eye to eye with the very greatest writers of his time.

This little white book is the latest in a series of several works by Lotass that straddle the boundaries of genre.

In this well-researched, first-class work, Martin Hårdstedt guides us through complex military and political situations while recognising the humanity of the protagonists.

Magnus Bärtås and Fredrik Ekman have written books together before: wry studies of closed, cultish societies. But they are keen on the cinema and its lore, and have now picked a perfect travel goal: secretive North Korea.

A portrait of the poet Tomas Tranströmer.

Julia Dahlberg’s debut novel is a multi-dimensional narrative, a modern skärgårdsroman (skerries novel).

Eva Ström's novel takes risks by trying to examine how the unexplainable can feel as real and important as reality.

The tension is ratcheted up in Liselott Willén's well-crafted psychological drama, which is anything but a police procedural, and written in language with real savour.

Poems reworking the literary history of the sonnet from Shakespeare to Auden and beyond, echoing with intertextual references to other underworld travellers.