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Johanna Hedman’s sharply written The Benefactors takes a harsh look at a cynical art industry that devours young artists alive, spitting out their bones and clothes. It brings into focus those who normally remain in the shadows: those who buy and collect art. 

In There Is No Paradise, a teenage boy discovers love in its many forms while spending a summer with his grandfather.

The Corpses We Planted brilliantly combines all the exciting components of Lina Wolff’s writing, from eccentric humour to a knack for probing the darkest parts of humanity. Winning the 2025 August Prize is just the cherry on top.

Bübin's Kid is compact, evocative coming-of-age story by Mare Kandre, republished almost thirty years later.

In Nature wreckers, Malin Kivelä wanders the borderlands between comfort and climate responsibility, wondering whether we can – or even want to – stop ruining the planet.

An atmospheric novella set in Stockholm, Therese Bohman’s My Street is a coming-of-age story and depiction of student life.