Reviews
Curated and edited by Darcy Hurford
REVIEW
Huset mittemot
Haridi grapples with tricky subjects such as mental illness and urban poverty from a child’s skewed perspective.
REVIEW
Spådomen: en flickas memoarer
It is natural as time passes to re-evaluate our relationship with our late parents.
REVIEW
Låt mig ta din hand
Alsterdal has been carving out a niche as a writer of page-turners with a political, international flavour.
REVIEW
Här är världen
As the pages turn, each successive image zooms out, first to the park, then to the town, countryside, ocean, earth, moon and eventually the solar system.
REVIEW
Sund
Öland: ‘A place where a chilly, salty taste forms a membrane, coating and soothing ever-open wounds which will always struggle to heal’.
REVIEW
Vi bara lyder: en berättelse om Arbetsförmedlingen
A provocative retelling of Roland Paulsen’s study of Sweden’s Public Employment Service.
REVIEW
Fågelbarn
As in Alejandro Almenábar’s 2001 film ‘The Others’, the encounters with the dead challenge and unsettle our perception of reality.
REVIEW
Om skrivandets sinne
Readers will surely ponder these perceptive, thought-provoking essays long afterwards.
REVIEW
Trollskogen
A comic book with kidnappings, changelings, fortunes sought and happy homecomings.
REVIEW
Indianlekar
The setting, the ‘Indian village’ – a nickname for the flats belonging to the local Volvo factory – symbolises the democratic dream of providing a decent life for all workers. But the dream of equality is trashed by the brokenness of those who live there today.
REVIEW
Att föda ett barn
Kristina Sandberg’s monumental trilogy about Maj Berglund, a housewife from the small town of Örnsköldsvik, is a tour de force.
REVIEW
Putins folk: Rysslands tysta majoritet
We have two different parents: one called Yeltsin, the other Putin.
REVIEW
Korpmåne
Saga is a strong female character; it’s a delight to read a novel about a teenage girl who finds her own way and isn’t afraid of being different.
REVIEW
Doktor Nasser har ingen bil: Kairo i omvälvningens tid
Thunander lets the people she meets speak for themselves – much of the text is directly quoted dialogue.

















