Reviews

Surrounded by heat in a tremulous world, India and Kallas answer an invitation from Kallas’ childhood best friend to leave summer in the city behind and visit her by the sea. Her garden house is an oasis, but in Red Sun nowhere is without a sense of unease.

Cherry trees in blossom, a dead cat, the Pleiades and mourning. In When I Was Snow Ingela Strandberg’s poetry takes us on a journey through nature where death and life go hand in hand.

Charlotte Al-Khalili’s When Everything Is Over is a high-suspense novel with a focus on domestic violence and an unusual heroine.

Johan Hilton’s ‘story’ of Benny Fredriksson’s life and death is more than an engaging memoir of great contemporary theatre manager – it is also a forensic analysis of the process by which a respectable social media campaign, part of the international #MeToo movement, became an apparatus of persecution.

Set in a bleak dystopian future, Nils Lundkvist’s debut The History of the Wilderness: The Cube is a suspenseful chapter book that can be devoured in one or two sittings.

How to mourn a death that was never talked about, without even a grave to visit? In Intertwining, Pia Mariana Raattamaa Visén articulates how loss affects three subsequent generations.

How do you know if the person you have feelings for feels the same about you? Johan Ehn’s children’s book 12 Days of Summer navigates the unsafe waters of a fragile and intense first love.

What would you do if you found a beating beetroot heart in the basement? Micaela Favilla’s The Heart in the Cellar offers one possibility.

What is evil, and how does it relate to who we are? Is the desert the setting of Sami Said's thematically heavy, yet lyrically light novel, or is it the emotional world itself? There is life in every corner, but is the desert chiefly pregnant with miracles, or evil?

With its appealingly coloured tales of a group of twenty-something friends that shun strict realism for a more psychological take, Cecilia Vårhed’s graphic novel Empty Boasting has fun with the genre.

Elisabeth Åsbrink's My Big, Beautiful Hatred portrays a gifted writer torn apart by the conflicting demands that late nineteenth-century society placed on female authors and intellectuals.

The phrase: ‘sex, drugs, and rock ‘n’ roll’, can be used to describe many works of fiction and non-fiction written on the subject of popular music in the last 60 or so years. Marcus Berggren’s book, A Good Place in the Brain, is certainly one of these, and to which can be added the phrase, ‘with a wry sense of humour.’

In Annika Norlin’s debut novel The Ant Hill, An alternative lifestyle brings rewards and challenges for a group of people who reject mainstream society.

Alma Thörn’s children’s book Wednesdays at the Swimming Pool is a lavishly illustrated and irresistibly empathetic tale of what it feels like to struggle with anxiety.

Karin Nordin Stensö's The Tender Mother is a graphic memoir about becoming a mother and struggling with the reality of it, as compared to the way it is depicted in art.

In Sissy, Jonas Gardell writes another collective literary testimony from Stockholm’s gay community. This time, the sissies – said to be the most despised even by the gay community – take centre stage.

Does honesty matter? In Soul’s Telegraph, Amanda Svensson explores the painful legacy of a mother who can’t – or won’t – tell the truth.

In his award-winning poetry collection, Onkalo, Victor von Hellens depicts the solitary existence of an isolated individual in a post-apocalyptic Finland.