Reviews

Written in innocent yet poetic prose, Pär Hansson’s debut novel The Spider Birch reminds us of what it is like to be a child, in all its wonder and cruelty. At the same time, it leaves the reader with a disconcerting longing for closure. But maybe that is exactly what it means to be an adult: never managing to truly grasp our childhood, while never being able to let go of it either.

Elin Lucassi's I love Astrid Lindgren is a moving graphic novel about postpartum psychosis.

In Queen Margaret's Dream Erik Petersson brings the complexity of gaining and holding on to power in the medieval era to life through the personality of Queen Margaret, and her achievement of uniting the crowns of Denmark, Norway and Sweden in 1397.

What do you do when a very sad, but very big monster turns up at the door? In To Comfort a Monster, Jesper Cederstrand and Clara Dackenberg answer this question.

In The Great Artist, Emmy Abrahamson and Hanna Jedvik’s first of a planned series of novels together, we meet one of the most unlikely double acts in contemporary crime fiction who end up a qualified success.

Surrounded by heat in a tremulous world, India and Kallas answer an invitation from Kallas’ childhood best friend to leave summer in the city behind and visit her by the sea. Her garden house is an oasis, but in Red Sun nowhere is without a sense of unease.

Cherry trees in blossom, a dead cat, the Pleiades and mourning. In When I Was Snow Ingela Strandberg’s poetry takes us on a journey through nature where death and life go hand in hand.

Edith Hammar's Portal is a queer graphic novel about finding community and being seen.

Enforcers of unfree labour are victims and perpetrators: in The Slavedriver, Anders Teglund combines reportage and historical essays to examine that grim paradox.

Acclaimed author Jonas Hassen Khemiri returns with The Sisters, a novel that balances expertly on the line between past and present, Sweden and America, reality and fiction.

Under the piercing, watchful eye of the main character Anne in Carolina Ringskog Ferrada-Noli’s wildly entertaining and, at the same time, crushing novel It Is Chronic, the ways of today’s (western) world are picked apart and observed through the lens of pain.

What would you do if you found a beating beetroot heart in the basement? Micaela Favilla’s The Heart in the Cellar offers one possibility.

What is evil, and how does it relate to who we are? Is the desert the setting of Sami Said's thematically heavy, yet lyrically light novel, or is it the emotional world itself? There is life in every corner, but is the desert chiefly pregnant with miracles, or evil?

With its appealingly coloured tales of a group of twenty-something friends that shun strict realism for a more psychological take, Cecilia Vårhed’s graphic novel Empty Boasting has fun with the genre.

Elisabeth Åsbrink's My Big, Beautiful Hatred portrays a gifted writer torn apart by the conflicting demands that late nineteenth-century society placed on female authors and intellectuals.

The phrase: ‘sex, drugs, and rock ‘n’ roll’, can be used to describe many works of fiction and non-fiction written on the subject of popular music in the last 60 or so years. Marcus Berggren’s book, A Good Place in the Brain, is certainly one of these, and to which can be added the phrase, ‘with a wry sense of humour.’

In Annika Norlin’s debut novel The Ant Hill, An alternative lifestyle brings rewards and challenges for a group of people who reject mainstream society.

Alma Thörn’s children’s book Wednesdays at the Swimming Pool is a lavishly illustrated and irresistibly empathetic tale of what it feels like to struggle with anxiety.