Reviews

Fredrik Sonck’s Freja and the Snake is a clever picture book about the first time a child sees that her parents can make mistakes.

Wonder, Anna Ahlund’s older middle grade novel, is about a group of friends who each receive a mysterious postcard and the wonder this brings about.

Written in innocent yet poetic prose, Pär Hansson’s debut novel The Spider Birch reminds us of what it is like to be a child, in all its wonder and cruelty. At the same time, it leaves the reader with a disconcerting longing for closure. But maybe that is exactly what it means to be an adult: never managing to truly grasp our childhood, while never being able to let go of it either.

Elin Lucassi's I love Astrid Lindgren is a moving graphic novel about postpartum psychosis.

In Queen Margaret's Dream Erik Petersson brings the complexity of gaining and holding on to power in the medieval era to life through the personality of Queen Margaret, and her achievement of uniting the crowns of Denmark, Norway and Sweden in 1397.

What do you do when a very sad, but very big monster turns up at the door? In To Comfort a Monster, Jesper Cederstrand and Clara Dackenberg answer this question.

In The Great Artist, Emmy Abrahamson and Hanna Jedvik’s first of a planned series of novels together, we meet one of the most unlikely double acts in contemporary crime fiction who end up a qualified success.

If you partake in something you know is wrong and later write about it, can any value be extracted from the prose? Or is it simply wrong? August Prize-nominated Morality by Lyra Ekström Lindbäck unfolds like a thesis centred on this and other philosophical questions.

Whatever happened to memory in the former dictatorships of Central Europe? Shots in Slovakia: A Central European Tragedy highlights the shortcomings in remembrance culture that continue to hold these societies back.

Murder in academia: The Hawk Sings of Death is a literary crime novel set at Uppsala University by an author based there.

A curator’s eye tour of an art museum, The Maintenance Labyrinth, Ida Börjel’s dialogue in poem form is narrated with an eye for the details of objects and their conservation, as well as subtle humour.

Edith Hammar's Portal is a queer graphic novel about finding community and being seen.

Enforcers of unfree labour are victims and perpetrators: in The Slavedriver, Anders Teglund combines reportage and historical essays to examine that grim paradox.

Acclaimed author Jonas Hassen Khemiri returns with The Sisters, a novel that balances expertly on the line between past and present, Sweden and America, reality and fiction.

Under the piercing, watchful eye of the main character Anne in Carolina Ringskog Ferrada-Noli’s wildly entertaining and, at the same time, crushing novel It Is Chronic, the ways of today’s (western) world are picked apart and observed through the lens of pain.

What would you do if you found a beating beetroot heart in the basement? Micaela Favilla’s The Heart in the Cellar offers one possibility.

What is evil, and how does it relate to who we are? Is the desert the setting of Sami Said's thematically heavy, yet lyrically light novel, or is it the emotional world itself? There is life in every corner, but is the desert chiefly pregnant with miracles, or evil?

With its appealingly coloured tales of a group of twenty-something friends that shun strict realism for a more psychological take, Cecilia Vårhed’s graphic novel Empty Boasting has fun with the genre.